Heiny srour biography of christopher

  • Ten years after Heiny Srour made history at Cannes with her debut “The Hour of Liberation Has Arrived,” which made her the first Arab woman.
  • Pioneering Feminist Arab Filmmaker Heiny Srour's Documentary 'Leila and the Wolves' Lands 40th Anniversary U.S. Release — Watch Trailer.
  • Films of Arab Loutfi and Heiny Srour: Studies in Palestine Solidarity Cinema.

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  • heiny srour biography of christopher

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    Pioneering Feminist Arab Filmmaker Heiny Srour’s Documentary ‘Leila and the Wolves’ Lands 40th Anniversary U.S. Release — Watch Trailer
    Ten years after Heiny Srour made history at Cannes with her debut “The Hour of Liberation Has Arrived,” which made her the first Arab woman to direct a movie shown at the festival, the filmmaker released her seminal classic “Leila and the Wolves.” Now, thanks to Bam Cinemas, Srour’s legacy is gaining international attention.

    Bam Cinemas will be screening both newly restored films to honor the U.S. release of “Leila and the Wolves,” thanks to distributor Several Futures. Srour, who is based in Paris, will be in attendance for the week-long run at Bam Cinemas.

    “I am so delighted to meet my American public,” Srour said in a press statement. “My films are a bridge of peace, and that’s what we need right now. Without distributor Several Futures, the wolves would have eaten Leila.”

    Graham Carter of Several Futures added, “The importance of Heiny Srour’s films cannot be understated.
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    Synopsis

    Drawing on the Arab heritage of oral tradition and mosaic pattern, Leila and the Wolves is an exploration of the collective memory of Arab women and their hidden role in history throughout the past half century both in Palestine and in Lebanon.

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    Alternative Titles

    Layla and the Wolves, Leïla et les Loups, Leila wa al ziap, Leila i els llops

    Theatrical

    02 Jan

    • Lebanon
    Lebanon

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    • recontextualizing the history of anti-colonial and anti-zionist resistance to insert women's political struggle back into the context of photos and documentary -- the cinema's gaze turning to the deliberately unseen wives and daughters of palestine and lebanon and how they both participate in and are excluded from their national liberation, the intersectional crossover of britain's post-WW2 imperial handover, religious expressions of trauma, and multi-generational alienation. director srour utilizes circular panning shots to great effect, orienting these communities in round panoramas that emphasize a claustrophobia felt within the borders of empire and invasion. being colonized leaves these refugees painfully aware of the b