Los hermanos barron biography definition
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Eddie Rey y Los Hermanos Barela, undated
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&#;File — Box: 78, Folder: 29
Series Description
Series I: Artists Files, , undated Boxes
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Los Hermanos
Brazilian rock band
For other uses, see Los Hermanos (disambiguation).
Los Hermanos | |
|---|---|
Los Hermanos in Belo Horizonte, MG, in | |
| Origin | Rio de Janeiro, RJ, Brazil |
| Genres | Alternative rock, indie rock, MPB, skacore (early), melodic hardcore (early) |
| Years active | – (on hiatus) (reunions: , , , , ) |
| Labels | Sony BMG |
| Members | Marcelo Camelo Rodrigo Amarante Rodrigo Barba Bruno Medina |
| Past members | Patrick Laplan |
| Website | |
Los Hermanos is a rockband from Rio de Janeiro, Brazil. The group was formed in by Marcelo Camelo (vocals/guitar), Rodrigo Amarante (guitar/vocals), Rodrigo Barba (drums), and Bruno Medina (keyboards/keyboard bass). Currently they are on an extended hiatus, performing some concerts sporadically.
Although the band is Brazilian, the name is Spanish, meaning "the brothers", which would be "Os Irmãos" in Portuguese.
History
[edit]Formation and first years (–99)
[edit]Then students from Pontifical Catholic University of Rio de Janeiro, Marcelo Camelo (journalism), and Rodrigo Barba (psychology) formed a band that mixed hardcore influences with the lightness of lyrics about love.[1] In addition, the band had a saxophonist, and, later, the keyboardist Bruno Medina, an advertising student at the
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Freddie Records
American independent record label
Freddie Records is an American independent record label founded in Corpus Christi, Texas on November 1, , by musician Freddie Martinez. Originally functioning as a recording studio and distributor for Martinez, the label expanded its roster to include other Tejano musicians to avoid financial failure. The label commenced producing albums for an array of artists, including Ramón Ayala, Agustin Ramirez, Oscar Martinez, and Joe Bravo. Ayala became the best-selling act of the label, sustaining the financial stability of Freddie Records throughout the s and s. The label sponsored a Little Joe concert in and recorded it for their Live for Schlitz album. It led to a ban on future events in the area, though the album remained a lucrative live recording for Freddie Records for two decades. As Tejano music's popularity surged, Freddie Records augmented its foundation by incorporating an additional 6, square feet for a second studio and production facility replete with updated MCI equipment capable of accommodating cassette tape and 8-track formats and instigated a release schedule of two albums per month on average.
By , Freddie Records had attained the status of one of the most prosperous independent music labels in the United