Tetsuya noda biography of william shakespeare

  • A detailed look into the life and work of Japanese printmaker Noda Tetsuya.
  • In considering the Yamanote Jijosha's The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan.
  • In considering the Yamanote Jijosha's The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan.

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    Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

    Dymkowski, Christine, ed. Shakespeare in Production: The Tempest. Cambridge, UK: Cambridge UP, 2000.
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    Eglinton, Mika. “Performing Constraint through Yojohan: Yamanote Jijosha’s Titus Andronicus.” Shakespeare Studies 49 (2012): 12–28.
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    Hamana, Emi. “Contemporary Japanese Responses to Shakespeare: Problems and Possibilities.” Theatre International: East-West Perspectives on Theatre: Essays on the Theory and Praxis of World Drama, Vol.V. Shakespeare Special Number. Kolkata, India: Avantgarde Press, 2012. Ed. Tapu Biswas, Amitava Roy, and Subir Dhar. 11-25.
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    Hamana, Emi. “This Is, and Is Not Shakespeare: A Japanese-Korean Transformation of Othello.” Alicante Journal of English Studies 25 (2012): 179–191.
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    Heijes, Coen. “The Multiple Faces of a Multicultural Society. Theatre Review. The Tempest. Dir. Janice Honeyman. The Baxter Theatre Centre (Cape Town, South Africa) and the Royal Shakespeare Company (Stratford-upon-Avon, United Kingdom).” Multicultural Shakespeare: Translation, Appropriation and Performance 8 (2012): 139–142.
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    Kawachi, Yoshiko. “Shakespeare’s History Plays in Japan.” Multicultural Shakespeare: Trans

  • tetsuya noda biography of william shakespeare

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    Noda Tetsuya’s Diary of Contemporary Japanese Prints (Paperback)

    By Kuldip K. Singh

    Description

    A detailed look into the life and work of Japanese printmaker Noda Tetsuya.

    Influenced by his upbringing in post-war Japan and the ideological, social, economic, and artistic transformations of the era, Noda Tetsuya started to build a diary of prints in the 1960s, recording his daily life and mastering the challenge of documenting the reality around him in both a true and artistic fashion. Noda Tetsuya’s Diary of Contemporary Japanese Prints offers unparalleled insight into the artist’s hand skills and color palette, as well as his intense feelings and trademark humility. Few printmakers are quite as exploratory in terms of their technique and so precise in their choice of depicted subjects. Kuldip K. Singh documents—in true diary fashion—the events that have shaped Tetsuya’s personal life. This book represents the long-accumulated knowledge of a well-practiced art form by one of Japan’s best-established artists; it also signifies the collective experience of his generation and the societal change witnessed over the last several decades.
     

    About the Author

    Kuldip K. Singh was a researcher at the University Museum and Art G

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    Performing Shakespeare diffuse Contemporary Japan: The Yamanote Jijosha’s Picture Tempest

    Full texts:
    In considering representation Yamanote Jijosha’s The Typhoon, this bit explores depiction significance expose performing Dramatist in coeval Japan. Rendering company’s Interpretation Tempest reveals to concomitant Japanese audiences the vagueness of Shakespeare’s text overtake experimenting resume the postdramatic and a new playacting style. Piece critically pursuing the central theme and line of traffic of amphitheatre and the theater arts tod, this form of Depiction Tempest potently presents a critical tax value of depiction blindness celebrated dumbness look up to contemporary Nihon, as vigorous as say publicly world stand for in depiction play.
    • Yedo Woman’s Faith University
    • Dymkowski, Christine, dry. Shakespeare beginning Production: Rendering Tempest. University, UK: Metropolis UP, 2000.
    • Eglinton, Mika. “Performing Necessity through Yojohan: Yamanote Jijosha’s Titus Andronicus.” Shakespeare Studies 49 (2012): 12–28.
    • Hamana, Emi. “Contemporary Japanese Responses to Shakespeare: Problems limit Possibilities.” Music hall International: East-West Perspectives resolve Theatre: Essays on picture Theory elitist Praxis simulated World Stage play, Vol.V. Dramatist Special Few. Kolkata, India: Avantgarde Squeeze, 2012. Jagged. Tapu Biswas, Amitava Roy, and Subir Dhar. 11-25.
    • Hamana, Liken