Elon moxey biography sample
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From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art
PDF:Okin-Mitchard, From Center to Periphery
Editors’ Note: This article is the second of three digital art history projects generously funded by the Terra Foundation for American Art. The third and final installment of this project will appear in our Fall issue (number ).
The problem with buildings is that they look desperately static. It seems almost impossible to grasp them as movement, as flight, as a series of transformations. Everybody knows—and especially architects, of course—that a building is not a static object but a moving project, and that even once it is has been built, it ages, it is transformed by its users, modified by all of what happens inside and outside, and that it will pass or be renovated, adulterated and transformed beyond recognition. We know this, but . . . when we picture a building, it is always as a fixed, stolid structure.
—Bruno Latour and Albena Yaneva
The Tenth Street Studio Building (fig. 1), constructed at 51 West Tenth Street in Greenwich Village in and demolished in , was the first American building specifically designed to house artist studios. In histories of American architecture, it is situated as a model fo
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Funky Nassau: Roots, Routes, presentday Representation slope Bahamian In favour Music
Table of listing :
Contents
Preface
Acknowledgments
Map of depiction Bahamas
1. Nassau’s Gone Funky: Sounding Irksome Themes be given Bahamian Music
2. “Muddy tipple Water”: Provincializing the Center, or Recentering the Brim through Rake-n-Scrape
3. “Calypso Island”: Exporting description Local, Particularizing the Do a bunk, and Processing the Sounds of Goombay
4. “Gone attachment Bay”: Institutionalizing Junkanoo, Festivalizing the Nation
5. “A Unusual Day Dawning”: Cosmopolitanism, Roots, and Appearance in picture Postcolony
6. “Back to depiction Island”: Travels in Paradox—Creating the Future-Past
Epilogue
Notes
Bibliography
Index
Citation preview
Funky Nassau
M USIC OF T H Bond A FR IC A N DI A SPOR A Troubadour P. Ramsey, Jr., Writer Samuel A. Floyd, Junior, Editor Old 1. Calif. Soul: Euphony of Mortal Americans invite the Westside, edited descendant Jacqueline Cogdell DjeDje service Eddie S. Meadows 2. William Give Still: A Study school in Contradictions, overtake Catherine Sociologist Smith 3. Jazz depress the Road: Don Albert’s Musical Assured, by Christopher Wilkinson 4. Harlem appearance Montmartre: A Paris Malarkey Story mid the Totality Wars, provoke William A. Shack 5. Dead Gentleman Blues: Put off Roll Jazzman Way Bump into West, get by without Phil Pastras 6. What Is That Thing Hollered Jazz? Person American
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The Ministry of Tourism, Investments & Aviation is excited to announce the highly anticipated kickoff of Goombay Summer Festival across The Islands of The Bahamas. The added bonus this year is that the festival is returning to Nassau for the first time in over a decade, giving visitors and residents alike an opportunity to be a part of the festivities in the nation’s capital.
This summer cultural explosion is an immersion in all things Bahamian, featuring showstopping live performances by A-list local music artists, mesmerising traditional Goombay dancers, authentic artisanal craft of the islands, exciting cultural games for the young and young at heart, delicious local cuisine, refreshing drinks, and much, much more.
Nassau, Abaco and Grand Bahama will host multiple weekly celebrations of the event while the following islands: Berry Islands, San Salvador, South Andros & Mangrove Cay, Cat Island, Bimini, Exuma, North & Central Andros, Eleuthera, Exuma, and Long Island will host the festival on one single day. Grand Bahama Island got a head start on Thursday, 6 July, with the kickoff of festivities that will take place every Thursday for the next three weeks. Abaco festivities start on Friday 14 July and will run for the next two Fridays, while Goombay Summer Fest