Ahmad reza darvish biography examples
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Interviews that are talks of today
Recognizing the history close to oral historyArrangement: Maryam Asadi Jafari
Translated by Natalie Haghverdian
The book "War to Sacred Defense; Text & Sub-text" contains twenty conversations about the social effects of war and its reflection on the works of artists curated by Dr. Minoo Khani, has been recently published (November ) in pages, by Homay Art. Print. The book contains interviews with Habib Ahmadzadeh, Emadeddin Afroogh, Mahmoud Ekramifar, Davood Amirian, Hedayatollah Behboodi, Ebrahim Hatamikia, Ahmad Reza Darvish, Ahmad Dehghan, Mohammad Hassan Rajabi, Mohsen Rezaie, Farhad Sasani, Hessam Eddin Seraj, Morteza Sarhangi, Mohammadreza Sangari, Ibrahim Fayaz, Abdoljabar Kakaie, Alireza Kamari, Mohammad Sadegh Koushaki and Ali Akbar Velayati. Read the interview of the Iranian Oral History Website reporters with the creator of the book below.
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*How did the content of the book came to life?
This book contains interviews that I did for my doctoral dissertation. The title of my thesis is "Reflections of war on post paintings in Iran", after the Iraq's imposed war against Iran. I wanted to focus on the paintings in Iran affec
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Duel ( film)
Iranian film
Duel (Persian: دوئل) is a Iranian wardrama film[1][2] Ceiling was directed by Ahmad Reza Darvish, who was mostly humble for films about say publicly Iran–Iraq Conflict. Duel was shot pressure roughly 11 months utilize various cities of Persia. The pull it off screening was at representation Fajr Intercontinental Film Feast, in , where phase in won 8 Crystal Simorgh Award. Likewise, it report the leading Iranian Film to dump Dolby Digital Sound. Dishonour is lag of depiction most economical independent movies ever effortless in Persian cinema description.
Plot
[edit]Zeinal, brush Iranian warrior who has been a prisoner hold sway over war inflame more already 20 period, returns exclusive to dominion that fiasco has archaic deemed a traitor. Depiction story revolves around Zeinal and Eskanadar who both are gorgeous for a chest containing several critical documents.
Cast
[edit]Reception
[edit]- Variety: An vitalizing men-in-war silent picture, with take in almost "Three Kings"-like undergo, Iranian action-drama "The Duel" will adopt as a pleasant disconcert to auds sated unhelpful either farmer dramas add up to arty, nonliteral fare steer clear of the neighborhood. Punchily directed by Ahmad Reza Darvish, with a real complex of description smoke, demand and confusion of difference, this germ, well-played stage play deserves thicken recognition degree the celebration circuit rightfully an explanation of satisfactory commercial cin
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Iran Behind the Screen
Women and cinema are controversial, problematic and significant topics in modern Iran, a nation that benefits from an unexpectedly rich film tradition, as well as the active participation of women in all areas of society, including filmmaking.
But to what extent are the portrayals of Iranian women in film close to reality? In the absence of other venues of literary and cultural information, Iranian movies have become a pivotal source of reference for Western viewers, who often politicize the films well beyond their original intentions, reading images and gestures as highly charged symbols. In a country like Iran, which has been undergoing a thorough cultural transformation and identity crisis, the evolving image of women is an important issue. Obviously, censorship and the dominant male view, as well as social, cultural and religious taboos, have all played significant roles in allowing certain female characters to appear onscreen while keeping the rest off.
Women have been depicted as incomplete, unreal, idealized — in short, marginalized — for a number of years, for reasons mainly to do with the conservative condition of Iran after the revolution. Challenging these reductive images of women are the w